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dc.contributor.authorStylianou, Elena
dc.creatorStylianou, Elena
dc.date.accessioned2018-10-09T11:52:37Z
dc.date.available2018-10-09T11:52:37Z
dc.date.issued2014-01-01
dc.identifierSCOPUS_ID:84926209807
dc.identifier.issn17540763
dc.identifier.urihttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=84926209807&origin=inward
dc.identifier.urihttps://repo.euc.ac.cy/handle/123456789/385
dc.description.abstractThis paper examines how artists employ photography to investigate and challenge the museum. It makes particular reference to the work of three women artists: Louise Lawler, Sophie Calle and Diane Neumaier. Their work is discussed with reference to the concept of the fictional and the ways in which photography can function as a frame within which museum hegemony, the viewing experience and arts commodification are questioned. Finally, digital photography and online manifestations of imaginary institutions are considered, suggesting that perhaps a new virtual frame emerges for the production of fictions that allows us to reimagine both photography and the museum.
dc.relation.ispartofPhotographies
dc.titleArtists photographic reflections: Imag(in)ing the art museum through fictional narratives
elsevier.identifier.doi10.1080/17540763.2014.933398
elsevier.identifier.eid2-s2.0-84926209807
elsevier.identifier.scopusidSCOPUS_ID:84926209807
elsevier.volume7
elsevier.issue.identifier2
elsevier.coverdate2014-01-01
elsevier.coverdisplaydate3 July 2014
elsevier.openaccess0
elsevier.openaccessflagfalse
elsevier.aggregationtypeJournal


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